When you closed your eyes, it was like you were watching it, vividly! Even in complicated passages everything stayed separated (unlike the Hedd's) Every driver was remarkable. Extremely wide, deep, and extremely clear. After a couple tracks, when you figure out that tonal aspects are superb, you check out the imaging. Quested V3110 - These were demoed in the same room as the Hedd's. I don't even know what to add, that's how little an impression they left on me. I'm sorry to be so harsh, but, it's the truth. And we, and I, spent a fair amount of time with them. The tweeter had it's moments, but overall, it's just not good. Hedd Type 30 - Preface, these were demoed in a rectangular room with no treatment. If I had an extra $10k or whatever they cost, I would be happy to own a pair though : ) Bc, they are simply amazing to listen to. Anything bass heavy, these are not what I would get. Almost anything without a strong drum kick. In short, the midrange carries these things through a few types of music. Extension was difficult to tell because there was a sub in the room. It's there, it's raw info, but the blend with the midrange, which is carrying most of it, is so seemless, it sounds good. The top end is very good, but nothing sticks out at you. ![]() ![]() It seemed a little too forward in this room, if I could, I would turn the midrange down a smidgen. I've said (and stand by) that the ATC midrange in that design (ATC 150S) is the best midrange I've ever heard. ![]() Plus to have them the opposite way, would have ports firing towards each other bc of the design. The midrange dispersion is so massive it works this way. The ATC SCM25A's were oriented as ATC suggests, with the woofers to the outside. Thus, I'll spend some time here while it's fresh in my mind.
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